However, that album also contains the worst performance I encountered. Requiem, Op. I also think you give short shrift to the Durufle Requiem. task to say “Top Ten” but P.F. The performance below is among the best of the fifty or so recordings I have listened to over thirty years. Wonder what Gossek thought if he heard it, as he could have, albeit in his 83rd year. It has been brightened for clarity. Yet the sparser arrangement diminishes none of the piece’s beauty, and allows the organ to take the spotlight. The three best appear on the following releases. This would later change, as during the Romantic period, composers wrote Requiems on a larger scale in terms of both length and required orchestral forces; they became, in effect, dramatic oratorios, and often operatic in style. The performance itself is good, so far as one can tell, but it is so poorly miked that much of it is simply lost. This has an entirely a capella setting with some imaginative polyphony; in my opinion certainly worth a listen. Keene’s groups bring out this work’s every nuance and power through its climactic moments. He wrote much worthy, and sometimes brilliant, orchestral and chamber music, as well as many choral works and operas. Thanks for the list, and it has certainly opened my eyes to efforts which I was not aware of. Introit (0:00)2. This recording is important as the only document of Durufle's conception of his Requiem. What do you think of Andrew Lloyd-Webber? Not only is it contemplative in spirit; it is also precise and to the point–not belabouring the text, as other composers do. Duruflé: Requiem. I have never been so moved by any music, and as I said, I am a Catholic, who grew up going to Mass six times a week, who can recognize and repeat most of the Latin in the Requiem. A new ‘Requiem’ s/be considered for addition to this list. Wolfgang Mozart: Requiem in D Minor, K. 626 (1791) In all of sacred music, there are few works that rival the writing of Mozart’s immortal, incomplete Requiem: the mystery of the Introit, the fire of the Dies Irae, the brilliance of the Confutatis, and the majesty of the Rex Tremendae.Mozart’s work simply operates on a higher plane than any other examples in this genre. …following a monumentally impressive account of Jean-Jacques Grunenwald's Tu es Petrus, we have his extended setting... — … There is of course the famous Victoria 6part require, but also Morales’ 5 part requiem and the pro defunctis by Guerrero are beautiful and moving! I look forward to enjoying those I’ve not heard. Also, more contemporary is Morten Lauridsen’s Lux Aeterna. Unusually celebratory in tone for a Requiem, especially one in D minor, Suppé’s nevertheless contains passages both of quiet lament and blazing terror. Though there’s no shortage of dynamic range, vocals “shatter” at their biggest moments. Zum Warenkorb Weiter einkaufen. The best-sounding recording in this category—indeed, in the entire survey—is Harmonia Mundi’s CD/SACD/download featuring Bill Ives and the Choir of Magdalen College, Oxford. 48: I. Introit & Kyrie. 9 (1947) [40:40] Quatre Motets sur des thèmes grégoriens, Op. Thanks again. Would you happen to know if there is a score of Kozlovsky’s requiem, I’ve looked everywhere and can’t find one. Der Artikel Maurice Durufle (1902-1986): Requiem op.9 wurde in den Warenkorb gelegt. I have noted elsewhere how Mozart was surely influenced by the Requiem of Michael Haydn, the younger brother of the more famous Franz Josef Haydn. It makes not Germany but France seem-in choral music as in Gluckian drama-the nursemaid of Classicism” and “Berlioz and Gounod garnered not a few of their best ideas from composers of the Gossek era; but few delivered this kind of unyielding consistency, melodic-harmonic vividness and untrammelled dramatic power.” PS. I want to observe, though, that this list appears to be written from the perspective of a listener, rather than a performer. Dear Stephen, thank for this article. What the Czech composer Antonin Dvořák, a devout Roman Catholic, said in regard to his Mass in D could just as easily be applied to his famous Requiem: “Do not wonder that I am so religious. The best-sounding recording in this category—indeed, in the entire survey—is Harmonia Mundi’s CD/SACD/download featuring Bill Ives and the Choir of Magdalen College, Oxford. USt. The others I had. There he tutored the young Antonio Salieri, who succeeded Gassmann as court conductor upon the latter’s death. Personally I’d put it right at the top, followed by Mozart. I have Tomasek coming in the mail. For this new recording featuring another great French Requiem, the Choir is reunited with the Orchestra of the Age of Enlightenment to perform Maurice Duruflé’s 1947 Requiem, in the composer’s own version for soprano, choir, organ and small orchestra. Orff - Carmina Burana: Christmas Carols. Jonathan Valin wrote the following essay in response to the […], Three summers ago, Grammy Award-winning composer-arranger-bandleader Maria Schneider premiered her […], Bill Schnee is a producer, Grammy Award-winning engineer, and author […], Unless you are still one of those holdouts with a […]. (The Passion wins most days for me though.) Hector Berlioz: Grand Messe des Morts, Op. Bewertung, Requiem by M. Durufle. Bach. The Verdi Requiem? Great list. 2 CD Durufle,Maurice (Künstler, Komponist) Format: Audio CD. “I know how to respect what is respectable,” the composer once said of religious belief. 6:21. I’m working my way through the rest of the list. I actually started listening to our recording right before reading this article. Durufle:Requiem Import Maurice Durufle (Künstler) Format: Audio CD. Seite drucken +Faure: Requiem op. I can thank my parents for introducing me to both good music and good sound at an early age. Whenever the choir is singing, the sound is distant and diffuse, and the counterpoint is barely audible; … Though influenced by Mozart’s setting, Cherubini’s voice is entirely his own and anticipates several Requiems that would be penned later by Romantic composers. Copyright © 2021 The Absolute Sound. Surely this work alone should guarantee the atheistic Berlioz a mansion in Paradise? There are many worthy Requiems which I have been forced to leave off this list. The second Requiem, by Durufle, is in the same vein … I especially love the Cherubini setting, it is severely underrated. Wolfgang Mozart: Requiem in D Minor, K. 626 (1791). Osip Kozlovsky: Requiem in E-flat minor—Missa pro defunctis for King Stanisław August Poniatowski (1798). Yet he also strove to modernize that style’s rigid incantation to a more modern, natural delivery. King’s College Choir, Cambridge, Cleobury. There is a supremely dramatic Dies Irae, a melting tune in the Lacrymosa, an absolutely gorgeous a capella Benedictus for the four soloists (listen at 38:00 in the video below), and an eerie Quantus tremor, whose echoing brass motif is a truly memorable effect. The work is the best-known creation of the French composer, who was one of his country’s great organists in the 20th century. I'll start with Durufle's own recording. Musically, Shaw’s rendition is quietly moving, even if his tempos are a bit sleepy at times. You missed out the best one actually. It’s written as if Palestrina composed in our times. Preis: 17,19 € Preise inkl. Michael Haydn: Requiem in C minor, MH 155—Missa pro defuncto Archiepiscopo Sigismundo (1771). Recordings. Requiem - Durufle: Amazon.de: Musik. You are most welcome! The one that inspires all the rest. Yet when you listen to this choral masterwork—the most poignant and exquisitely beautiful Requiem extant—it sounds strikingly simple and inviting. Thank you my friend! Unfortunately, that disc suffers from the nascent state of mid-80s digital technology. temporär gesenkter USt. While on his tour of Paris in 1778, Mozart met Gossec, liked him, and—as in the case of Michael Haydn’s Requiem, though to a lesser degree—was probably influenced by Gossec’s setting when he wrote his own Mass for the Dead thirteen years later. My choir performed this in the spring (the 500th performance!) Also a contribution not mentioned here, not even in the comments: Ildebrando Pizzetti’s Requiem. The Duruflé Requiem is somewhere in my top 10 of favorite classical ... pieces of all time... though, of course, it is hard to keep choose, given how much amazing music there is. Another Requiem — amazing and unioque in style and structure, but never performed in its entirety nor recorded — is the “Requiem 9/11/2001.” Not only does it incorporate Christian Latin text, but also incudes percussion/lyrics from the Quran, as well as Tehilim from the Hebrew. Faure, Duruflé. Sadly lacking any Spanish renaissance era requiem settings. Indeed, the sound is quite commendable—in soft passages. Camille Saint-Saëns is generally considered a second-rate composer, and he is known today primarily for pieces like his “Organ” Symphony and his “Carnival of the Animals.” His status as an unbeliever makes him an unlikely candidate for composing a Mass for the Dead. Stačí zvoliť požadovaný formát a po kliknutí na tlačidlo "Download" bude vygenerovaný odkaz na stiahnutie videa "Gabriel Faure's Requiem Op. A candidate perhaps for most unlikely to write a Requiem, the Austrian composer Franz von Suppé wrote some fifty operettas and stage works, but it is generally only the overtures to some of these that are played in the concert hall today. There are only two: Victoria & Mozart. Though Mozart thought little of him, the German-born Georg Joseph Vogler (1749-1814) had a successful career as a composer, performer, and teacher (Carl Maria von Weber and Giacomo Meyerbeer were among his pupils), and was something of an innovator in terms of music theory and practice, devising a new organ-like instrument and an alternative method of fingering for the harpsichord. The estimable John Eargle recorded Keene’s performance back in 1995. The Absolute Sound team is proud to highlight Martin Logan and Paradigm, known for loudspeaker innovation. While I understand the technical reason for your omission in the explanation above, I think that both Faure’s and Durufle’s Requiems are among the most sublime works ever composed. The Requiem was … By Gabriel Fauré Atlanta Symphony Chorus, Atlanta Symphony Orchestra, James … The Imaginative Conservative applies the principle of appreciation to the discussion of culture and politics—we approach dialogue with magnanimity rather than with mere civility. There is enough doom-laden material in the prayers and texts of the service itself; by way of contrast, the music should offer consolation and contemplation. I love how Goodall incorporates English on top of the Latin in certain movements. 48 Requiem, one immediately comes to my mind. On an emotional level they capture the drama of human life and death so beautifully. Brahms, Fauré and Duruflé seem to have thought that death and judgment are all about quiet resignation and consolation, without any place for desperate pleading and the terror of possible, eternal damnation. Dies Irae is certainly not the only interesting part. The urgent strings that open this Mass immediately grip the listener, and the trombone calls and organ notes of the Tuba Mirum sound bring to mind the famous opening of Richard Strauss’ Also Sprach Zarathustra, composed eighteen years later. It seems these two requiems were meant to be together. The Duruflé Album. I stayed away from opera (and all other vocal classical music) for years when I was younger because my dad hated it, and I’ve met many other people who feel like opera is “lesser” than other classical music for some reason. Mozart’s work simply operates on a higher plane than any other examples in this genre. I feel like composers who primarily worked on operas get a bad reputation, and I’m not sure why. That aside, this is a lovely performance accompanied by a hi-res download that, while not quite as clear as the Harmonia Mundi, admirably avoids sonic drama (in the negative sense) when things get big. CD CD (Compact Disc) Herkömmliche CD, die mit allen CD-Playern und Computerlaufwerken, aber auch mit den meisten SACD- oder Multiplayern abspielbar … I can’t wait to listen to some of these. the most dramatic and startling dies irae has to be by karl jenkins who previously played in a rock band. 9 by Maurice Duruflé (1902-86). Weitere Informationen. Thank you Nick. I cannot agree with your list, but would not ever want to engage in any disagreement. I am happy to agree with no. 48 Complete (Best Recording)" priamo z youtube. What appears below is a “Vocaloid/MIDI Simulation” by one musicologist, which gives us a tantalizing taste of this work’s greatness. Franz von Suppé: Requiem in D Minor (1855). Although the most dramatic crescendos are, by definition, restrained compared to the Keene version, Cleobury is unerring in maintaining the music’s dramatic impact. Teacher! Save my name, email, and website in this browser for the next time I comment. Lacrymosa is extremely beautiful, and in general I enjoy the whole thing straight through. The chorus and organ version of this Requiem is inherently more somber and church-like than those with an orchestra. Yes! I am hopeful that 2021 will be full of beautiful music in our homes, lives, and hopefully in our local concert halls when it is safe to do so. If anything I would say Verdi is underrated by the general listener. Though he may not have bought into the theology represented by the Catholic Requiem Mass, he considered his composition a serious work. The OG. Requiem study score with full orchestra parts, 8.5 x 6.2", Durufle. 1, although we do not even know what it would have been had the composer had the time to complete the work. 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